The Brazilian and Guiana shields are formed mainly by Archean metamorphic and granitic rocks, while the Amazon Basin is made of sedimentary rock. This means that non-carbonatic formations are more commonly found, and these are less susceptible to the geomorphological processes that form caves. For example, rocks such as limestone or chalk tend to lead to the development of cavities during their decomposition processes. By contrast, non-carbon rich formations create landscapes where caves and shelters are absent.
An exception to this overall picture lies in the municipality of Rurópolis in the state of Pará, which contains 56 registered caves. Of these, 55 are sandstone. The other cave, which is called Caverna Paraíso, has been described as the most impressive, as well as only, limestone cave in the Amazon. I am also interested in the Caverna das Mãos (Cave of the Hands), where there are rock paintings in a dark zone that is approximately 350 metres from its entrance. Paintings in dark zones are rare occurrences, meaning Rurópolis is a unique area for this kind of research.
In 2014, I became a member of the team working on a project entitled, “Rock art and archaeological context in the caves of Rurópolis, Pará,” coordinated by the archaeologist Edithe Pereira (Museu Paraense Emílio Goeldi) and sponsored by the Brazilian Research Council, CNPq. We conducted an excavation at Cave 110, which contains rock paintings and engravings. This represents the sole archaeological endeavour undertaken in the caves of Rurópolis to date. Five radiocarbon dates obtained for this site point to events involving fire, which date back from between 8,100 and 6,800 years ago. No archaeological artefacts were unearthed from the excavated test pit, but charcoal in the earliest layers may be an indicator of human presence in the cave. We have tentatively suggested that the cave’s use was related to ritual activities. We cannot confidently associate the cave art with any of the dates, but we know the paintings are at least 2,2000 years old, since the charcoal found in this layer covered part of the paintings.
During this project we will return to Rurópolis to continue conducting targeted cave surveys and excavations in order to better gauge the archaeological potential of the area and to explore some of the issues touched on above. Following an initial assessment, we will retrieve samples through surface collections and 1×1 metre test-pit excavations. This will enable us to collect material culture and charcoal so that we can further our cultural and chronological understanding of the area.
Publications related to women’s and maternal health with Wixárika communities by the author of this exhibition
Gamlin, Jennie B. (2013)
Shame as a barrier to health seeking among indigenous Huichol migrant labourers: An interpretive approach of the “violence continuum” and “authoritative knowledge”
Social Science and Medicine 97 75-81
Gamlin, Jennie B. (2023)
Wixárika Practices of Medical Syncretism: An Ontological Proposal for Health in the Anthropocene
Medical Anthropology Theory 10 (2) 1-26
Gamlin, Jennie B. (2020)
“You see, we women, we can’t talk, we can’t have an opinion…”. The coloniality of gender and childbirth practices in Indigenous Wixárika families
Social Science and Medicine 252, 112912
Jennie Gamlin and David Osrin (2020)
Preventable infant deaths, lone births and lack of registration in Mexican indigenous communities: health care services and the afterlife of colonialism
Ethnicity and Health 25 (7)
Jennie Gamlin and Seth Holmes (2018)
Preventable perinatal deaths in indigenous Wixárika communities: an ethnographic study of pregnancy, childbirth and structural violence BMC
Pregnancy and Childbirth 18 (Article number 243) 2018
Gamlin, Jennie B. and Sarah J Hawkes (2015)
Pregnancy and birth in an Indigenous Huichol community: from structural violence to structural policy responses
Culture, health and sexuality 17 (1)