The British Museum’s Collections - SDCELAR | Latin America at the British Museum

The Latin America and Caribbean collection contains approximately 62,000 objects, of which just 0.6% is currently on display to the public.

This platform illustrates the various research projects that engage with the remaining 99.4% of the collection. Many of the objects held in anthropology museums were collected for scientific purposes. Anthropologists and curators put together comparative collections from which they have extrapolated grand historical narratives. These objects have since been regarded as holding immutable value and their importance has been linked to their capacity to accumulate knowledge through time.

This diagram shows changes in acquisition trends since the first Latin American object entered the British Museum’s collection in 1757. Going beyond the display and spectacle of the traditional museum space, Centre projects carried out with the collections in storage expose the colonial legacies of acquisition, research and exhibitionary priorities that are highlighted in this infographic. The Centre hopes to counter these legacies, which are also associated with the anonymity imposed on the societies and individuals that these collections seek to represent.

The Centre co-develops projects that contest these assumptions to show that the objects in the museum’s collections have shifting and evolving meanings, and that their histories reflect political realities. The Centre provides physical access to our collections, and the digitisation of this work has the potential to reach and engage audiences worldwide.

Acquisitions

SDCELAR acquires contemporary artworks into the British Museum’s Americas collection. We think that critical and creative practices such as material culture responses to collections can mobilise challenging and multilayered narratives. These artistic practices can reflect alternative interpretations to those established by curators and academics. Also, the works produced can be interpreted in multiple ways by diverse audiences, allowing for continual production and exchange of knowledge.

These artworks have been acquired to facilitate dialogue and stress social politics as well as culturally specific knowledge.